Category: News

  • British cinema release Jericho Ridge features POD LDN special effects

    British cinema release Jericho Ridge features POD LDN special effects

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    British siege survival thriller Jericho Ridge opens in UK cinemas this month, kicking off with a premiere at the Curzon Soho. It’s so exciting, because the film’s action was brought to life with VFX effects by the POD LDN team, alongside post-production outfits including Cheat.

    From its standout cast, to the script, direction and production, Jericho Ridge spotlights a host of UK talent, with actors including Nigerian-British actress Nikki Amuka-Bird, and rising star Zack Morris. Written and directed by BAFTA award-winning screenwriter Will Gilbey, this is his feature length debut and it was fantastic to realise his ideas through effects.

    Since its 2023 premier at the 35th Galway Film Festival, this thrilling feature film has been met with acclaim at festivals internationally, including North West Fest! and Heartland International Film Festival, and the New York Times selected it as one of the top action movies to watch.

    The storyline centres on policewoman, Deputy Tabby Temple, played by Amuka-Bird. Trapped without backup, the Black single mother fights for survival, defending herself and her son, when her sheriff station in a small American town is targeted by a murderous drug cartel.

    Gilbey’s directorial vision was to build tension through VFX effects, so the audience is viewing the story through the dash-cams of the police cars and security cameras in the sheriff’s office. Making these scenes in post-production enabled him to have full control over the timing and dramatisation.

    Over 200 shots required VFX and most were planned to be invisible, like screen inserts and touch-ups, as well as more pronounced effects like muzzle flashes. The VFX also helped to make the location feel realistic by making adjustments to the weather conditions throughout.

    The project was announced as starting principal photography in March 2022 and the nine-week shoot took place in Kosovo, produced by Alex Tate and Harvey Ascott, with Besnik Krapi, Mark O’Sullivan and Richard Caleel executive producing.

    It was a joy to work with Will Gilbey who kindly said that, “Working with POD LDN was nothing short of a fantastic experience. They were efficient, creative and constantly exceeded my expectations; delivering VFX shots that were better than anything I could have imagined. I would jump at the chance to work with them again and would recommend them heartily to any other filmmakers looking for quality and value for money.”

    Why work with us

    At POD LDN, we offer a unique and flexible post-production solution. An on demand model has all the benefits and infrastructure of a post house but operates on a flat day rate like an in-house resource or freelancer. We offer a wide range of post production services and talent, agile workflow solutions, where clients communicate with one go-to person from our project management team, or a single producer who leads all processes.

    We work on projects large and small, from big films (like Jericho Ridge) to case study films and ads.

    Whatever your project, we would love to help you.
    www.podldn.com

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    TUI, in partnership with Global, the Media & Entertainment group, and post production company POD LDN, is bringing festive cheer to London Underground’s escalators with an animated outdoor campaign featuring its famous holidaying elves.
    At this year’s Creativepool Annual Awards, POD LDN LTD has been recognised not only for its exceptional creative work, but for redefining how a modern post-production studio operates. Awarded People’s Choice Post Production Company of the Year, the studio stands out for its flexible hybrid model, global network of over 1,400 artists, and unwavering commitment to building authentic relationships over transactions.
    Global post-production house POD LDN worked with Weleda, the world-leading manufacturer of certified natural skincare, on the launch of its new Serum Booster Drops skincare products.

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  • How to create a compelling awards case film. Here’s our top do’s and don’ts

    How to create a compelling awards case film. Here’s our top do’s and don’ts

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    Awards season is nearly upon us, and a great case study film can make or break an entry. It’s the tool that will help your work to shine in front of juries, and showcase your team’s creativity to your business and stakeholders. Award-winning work needs an a-class entry, yet simple tricks are often missed.

    So here’s the top do’s and don’ts that every company can follow.

    Your film should always tell a story, so think about a compelling narrative that will hook your audience in. Choosing an impactful music track will really help to bring the video alive, and using voice-over is a brilliant tool to avoid too many things happening on the screen at once.

    Always choose music and effects that complement the story and fit with the brand.

    DO make sure the entire case film reflects the brand, throughout the messaging, objectives, content, colour, look and feel, mood and sound.

    DO clearly establish the challenge, and the main objective, right at the beginning to guide the viewer’s understanding and deliver the main message in a maximum of 3 takeaways, ideally one.  The idea should grab you in the first 30 seconds.

    DO keep your edit short, clear and concise so it delivers the message effectively.

    DON’T over-produce or go over length (two to three minutes max is ideal).

    DO add talking heads and testimonials to add personality. DON’T overuse numbers and stats. They’re important, but try to focus on analysis and storytelling.

    DO use humor to keep your content entertaining and grab attention, but only if it’s appropriate. DON’T use too many graphics, or long text that might be hard to read.

    But before all of that, you need to prepare your brief. DO be clear about all expectations and ensure they’re explicitly stated, from style to music references. DON’T assume anything as it may not be obvious.

    DO start the process of planning  your film as early as possible. Keep documents  and assets filed, so it’s easier to gather together once you’re ready to start production, and DON’T leave it to the last minute!

    DO think about the approval process and get dates locked in diaries to avoid running out of time, and make sure people are available to review and feedback. DON’T forget to get their thoughts at early stages of development.

    A great case film will carry the judges through the idea clearly, while also entertaining and moving them. Working with a post-production company can help you to make a film that will win hearts and minds and get your message across.

    Why POD LDN?

    Behind the scenes, we have a large in-house team, and a huge international network of super-talented artists and partners. Our single rate of £250 per day, allows us to calculate quotes easily, so our clients can understand quotes quickly. We can support you to make case study films with ease.

    Drop us a msg at hello@podldn.com to see our extensive portfolio of case studies and find out more!

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    Once upon a time, brands kind of had seasons (or series, for the sticklers) where they were on, before coming off the air, as it were and preparing for their next run.
    As major advertising networks continue to merge and consolidate, independent agencies face mounting pressure to compete.
    Adrienn Major, founder of POD LDN discusses how to keep business love alive.

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  • Putting a creative spin on white goods can be a joy – Trends and learnings from working with appliance brands

    Putting a creative spin on white goods can be a joy – Trends and learnings from working with appliance brands

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    Promotional content for washing machines might not sound like the sexiest brief on the planet. But in reality, we’ve worked with leading appliance brands, from Grundig to Beko Global, that are transforming product marketing through next-level film content.

    In post-production, working with white goods brands is incredibly creative for a plethora of reasons that people rarely think of. So here’s a deep dive into some trends and learnings we’re seeing in this space, and why these brands are so close to our hearts. Let’s dive in!

    Bringing products to life through film

    Often, when we come onboard, the product is still just a blueprint that doesn’t even exist yet. So it’s a hugely creative process to bring it to life through film, and this has to be done with absolute precision down to the tiniest detail.

    Understanding the finished look is done by piecing together similar product images, and working closely with the brand’s technical teams. Our agency partner supplies a CAD (technical) drawing, or product spec, and we use Computer Graphics to magically realise the appliance as a CG render with real-life accuracy.

    Whether it’s a washing machine or a dishwasher, seeing it come to life in post-production is why white goods are such a joy to work with.

    Collaborative balancing act

    Collaboration and compromise between technical skill and creative flair makes working with appliance brands such a brilliant process. For their internal teams and technical experts, it’s all about how precise and exact the product is represented, not how sexy or exciting the creative is. So it’s a partnership that draws together contrasting skills and approaches between creative, post-production, and technical know-how.

    At POD LDN, we’ve learnt to navigate internal team structures, understanding the many different departments that bring the product to market, and knowing the right questions to ask to get the work done efficiently, and collaborate effectively.

    Working with appliance brands is something we know and love.

    Sustainability: the new sell factor

    Sustainability and energy efficiency are critical to selling appliances now. More and more, we’re seeing white goods companies showcasing eco-friendly credentials through campaigns, and communicating sustainable messages from saving water to targeting plastic waste.

    This is led by visuals too, and we’ve seen a trend towards integrating products within natural settings. It’s a sell factor. In post, we help to achieve beautiful natural scenes and landscapes through special effects and compositing images: imagine a washing machine standing on a deserted beach, or in a house by a serene lake. There are techniques at our fingertips, from animation to VFX, that can realise the brand’s vision and concept for the product, placing it in immersive, or otherworldly environments before it even exists.

    By connecting appliances to nature, a brand can highlight its eco-credentials, and show how it’s making a difference in the world. While we get to spotlight a variety of techniques that can make the product appear be to technically slick and sustainable.

    Showcasing appliances IRL

    Post-production in this space isn’t just about making content for digital channels, or even TV and cinema now. Making film for live events is an important element too, and that’s exciting for us.

    Take the IFA. It’s essentially the Golden Globes for white goods, and the world’s largest home appliances trade show. It was even opened by Albert Einstein himself way back in 1930. We’ve produced films for the IFA and it throws up a whole new set of creative challenges as we figure out how to help a brand showcase its products to physical audiences and how the film will work best inside the venue.

    Alongside live events, brands sell appliances in physical retail outlets, and that relies on film too. Picture the ads that flash up on TVs in many high street stores. So in post-production, we help brands attract the eyeballs of passing shoppers through striking visuals, which always put the product centre-stage.

    Product front-and-centre of the film

    Of course, highlighting an appliance’s design and durability will always matter too.

    And we’ve noticed a trend towards product advertising becoming more important, as brands aim to promote the benefits of the product over promotion of the brand itself (Apple are leaders at this). In white goods, the same rules apply.

    So in post production, we’re trying to bring all of these different elements together to help appliance companies to showcase their product and vision. It’s such a rewarding creative challenge.

    How can we help?

    If you like the sound of what we do and want to know more, get in touch to discuss how we can help you.

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    This Sunday (23 March) it will be five years since Britain was plunged into its first lockdown as a result of the global COVID pandemic.
    LBB’s Zoe Antonov asks the production industry its predictions for the coming year, from dreaded or long-awaited technological advancements, to hopeful promises, and money talk.

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  • 2024 Post-Production Trends

    2024 Post-Production Trends

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    2024 has kicked-off at whirlwind speed. And the demand for quality, rapid content production shows no sign of slowing, as brands look to find fame on the multiple platforms and channels now vying for our attention. At POD LDN, we’re predicting 5 trends that will dominate post-production in the year ahead. Here they are!

    AI is ideal for ideation

    This year, we’re predicting that we’ll be leaning on AI as a trusted tool at the ideation phase, but it won’t replace humans in the real stages of post-production, and for detailed work. Yes, it will be a brainstorming tool for ideas, you can use quick prompts to see what AI comes up with, and it can create a quick visualisation mockup. In other words, AI won’t replace human creativity now, if ever. And while there’s no doubt it’s important for increasing efficiency, it can’t replace skilled artists and post production creatives. But it can help to save time and money in when create special effects.

    AI can’t, on its own, come up with truly creative new ideas or apply emotions. That said, last year saw some game-changing work that pushed the potential of AI, but humans were there pushing all the buttons. That’s why we’re predicting a focus on human talent in 2024. Tech will just help us to push the envelope.

    Remote solutions on the rise

    We’re foreseeing that more brands and advertising agencies will look to outsource post-production tasks in 2024, as the demand for content grows, but budgets get squeezed. What’s more, many agencies and in-house teams just aren’t structured to handle their own post-production, and setting up a suite is a huge financial investment. Especially for smaller jobs, why bother with the headache?

    A service like POD LDN, also enables clients to tap into a global talent pool with round the clock availability patterns, which works so well if you’re producing content for global markets.

    Remote solutions means brands can outsource anything from in-house design to animation and CGI, as well as editing. We can provide all the skills you need to produce a vast range of content, and support with deck design, pitches, key visuals, storyboarding, and more.

    Repurpose to revitalise existing content

    We also think that repurposing will be a rising trend this year. Revitalising footage from previous campaigns by editing it to form new assets can have multiple benefits for a brand. Many productions leave tons of unused footage behind that’s ripe to be turned into a new project. And then post production can work its magic, making adjustments to the edit to massively reduce time spent on campaigns and keep production costs down.

    Many brands we’ve worked with, such as Walkers Crisps UK and Dunelm, used the magic of repurposing for product replacement. Swapping out products in an ad is a very popular way to repurpose existing content without needing to reshoot. In post production, it’s really easy to change out a product in super quick time.

    Virtual production to peak in popularity

    Virtual production found momentum during the pandemic, and its popularity continued into 2023. Alongside massive budget and time saving, it’s more sustainable, reducing the need for travel and saving energy used on shoots.

    Alongside this, virtual production can empower advertisers and marketers to be more playful with content, offering more creative freedom to be experimental with where they set their work. In the virtual, you can take your brand anywhere you wish, from the other side of the globe to the moon. And as brands seek to capture audience attention in a cluttered content landscape, it’s a no brainer that they’ll seek to create more immersive and memorable campaigns.

    Sustainability on the agenda

    The rise of virtual production also plays into a bigger topic and that’s sustainability. Reducing carbon emissions is now impacting every part of the advertising ecosystem, and we foresee that it will impact post-production on a huge scale.

    Virtual production means post-production compositing is minimised, which can save on cost and reduce energy consumption. Energy use is of course a major factor in post, and it’s hard to get to net zero, but offsetting carbon emissions is one way we can move the dial.

    Want to work with us?

    As the recent past showed us, predictions are hard to make, so let’s see what 2024 has in store.
    Like the sound of working with us?
    Find out more about what we do, and how we can help your business scale at: podldn.com

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  • How do you revitalise your content, reach new audiences, and save money while doing it? With the not-so-magic trick of repurposing!

    How do you revitalise your content, reach new audiences, and save money while doing it? With the not-so-magic trick of repurposing!

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    It’s a tough time for the economy, there’s no doubt about that. From business to family, we’re all feeling the squeeze in one way or another. And with Inflation rates rising across the globe, it’s no surprise that companies want to keep costs down, even as they keep a steady volume of content going to market.

    But what is it they can do to keep things fresh and moving on lower budgets? One word: Repurposing!

    Take just a few examples, on us:

    The fresh, clean beauty of a new life.

    Repurposing. Reusing. Recycling. The very words themselves evoke the sense of a cleaner business – one built on sustainability, where not a moment goes to waste. Because the reality for many productions is, for every final piece of content that hits the screens (big or small), there’s a treasure-trove of unused footage, material ripe for a project of its own. Who knows? With some colour grading and sharp editing, those scraps from the cutting-room floor might just become your next viral content.

    Small tweaks, for great leaps.

    Maybe you don’t have new footage to play with, or you feel like going in a different direction. How about a crisp new voice? With a change in voiceover, music composition or sound effects, you can change the whole tone of the content right in front of you. Get your audiences moving from one vibe to the next, with one simple change, without breaking the bank.

    The art of replacement.

    Visual effects (VFX) aren’t just for the big guns of Hollywood. There’s all sorts you can do for small-scale projects, and it doesn’t have to cost the world. Imagine a product film, where the product can be easily replaced with some minor technical wizardry. Cheap AND easy. Or how about replacing your supers with new ones, or changing your end frames? You’d be surprised how little it can take to get a fresh new look. 

    Bonus tip: beyond live action.

    Can’t afford an expensive shoot, or just want to try something new? Animation may be for you! From two dimensions to three, animation can give your content the bold new flavour it’s been craving. Or how about a mix of live and animation, with something like rotoscoping? Or mixing photography with illustration? The possibilities are endless – and endlessly affordable!

    What’s the upshot?

    Besides being an exciting new creative exercise, the benefits of repurposing are many-fold. Projects can go from concept to market in no time at all, with costs kept to a minimum. And with lower production needs, that’s less need for travel, equipment rental and delivery, and all the other associated transport complications that traditional shoots can create. Less travel for greater sustainability, a greener business, and a brighter future for all your upcoming projects. If that’s not a great thing, what is?

    How can we help?

    At POD LDN we’ve got the tools, and the people, to get your project on the move. If you’ve got repurposing needs, we’ve got the solutions. From editing and grading to CGI, compositing, 2D and 3D animation, and much more besides. So get in touch! We’d love to show you what we can offer. 

    Finally, here is our latest project we delivered for Walkers Crisps UK using the magic of repurposing.

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    Awards season is nearly upon us, and a great case study film can make or break an entry. It’s the tool that will help your work to shine in front of juries, and showcase your team’s creativity to your business and stakeholders. Award-winning work needs an a-class entry, yet simple tricks are often missed.
    It’s a tough time for the economy, there’s no doubt about that. From business to family, we’re all feeling the squeeze in one way or another. And with Inflation rates rising across the globe, it’s no surprise that companies want to keep costs down, even as they keep a steady volume of content going to market.
    Want to get your project from water-cooler small-talk to the talk of the town, or even beyond? We’ve got the secrets you need!

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  • 5 easy ways to get your content buzzing, with the colorful art of versioning

    5 easy ways to get your content buzzing, with the colorful art of versioning

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    Want to get your project from water-cooler small-talk to the talk of the town, or even beyond? We’ve got the secrets you need! Because when it comes to getting your message across, it all comes down to who you’re talking to. And through the vibrant art of versioning, you can definitely get the word out right, whoever and wherever your audience is.

    How do we do it? Read on and find out.


    First: what IS versioning?

    What you see on TV, in films, on billboards – that’s just the final product. Glossy as that can
    be, the road to get there is full of different iterations, distinguished by both big changes and minor tweaks. But it’s not just quality control. In the business of advertising production, multiple versions are commonly made from a video master, each of which hits a different audience. One version in Europe, one in the Middle-East, one in Asia. Where the needs change, so can the message.

    How can I do it?

    There are a few ways to harness the power of versioning, and to expand your audience in
    turn. Here’s what works for us:

    1. Advance planning.

    Before anything else, consider your audience. And if there’s more than one, consider
    their unique needs and adjust your plans accordingly before you shoot any footage at all. Plan for adaptations like shorter versions for social media, subtitled versions for the hard-of-hearing or speakers of different languages, or even the differences between one platform and another.

    2. Organized thinking.

    Be logical with your assets. The benefits of a clear and consistent filing system can
    never be overstated. Name your files consistently, create folders for each scene or location, use color-coded labels for different types of footage. They might be minor, but these steps can help avoid big headaches later.

    3. Outline, script and storyboard.

    In case your versions are significantly different from each other and from the original
    video, creating a script and a storyboard will help guide your production. Let your original vision stay intact, and keep track of any necessary tweaks.

    4. Editing smart.

    During the editing phase, bear in mind the adaptations and versions you’re planning
    to finish with. That may mean leaving extra footage either side of your video for changes to aspect ratio, or planning for different audio mixes for different platforms.

    5. Testing, tweaking, and testing again.

    Harness the focus group, or test your content out in the wild. Keep an eye on the performance analytics, and take on any other feedback. Make the necessary adjustments to length, pacing or content based on anything from audience tastes to attention spans. Then test again.

    To sum up…

    Versioning is just one useful key to expanding your content’s reach, and reaching new
    audiences as boldly and effectively as possible. A handful of adjustments and some clever forward thinking may be all it takes to get everyone talking about you.

    Want us to do the hard part for you?

    If you think your content could use an extra boost in all different directions, let us know.

    We’ve got the tools and the people to make it happen!

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    Visual Effects, or VFX, are an integral part of modern filmmaking. From creating explosions and supernatural creatures to enhancing backgrounds and environments, VFX have revolutionized the way movies are made.
    Whether you’re just starting out, trying to keep costs down, or growing quickly, find out how we can help your agency to scale.
    VFX (visual effects) is one of the services we offer here at POD, and the requests we’ve had over the years have been anything but run-of-the-mill.

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  • Mastering Visual Effects: 6 Essential Tips for Creating Convincing VFX

    Mastering Visual Effects: 6 Essential Tips for Creating Convincing VFX

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    Visual Effects, or VFX, are an integral part of modern filmmaking. From creating explosions and supernatural creatures to enhancing backgrounds and environments, VFX have revolutionized the way movies are made. However, creating convincing VFX requires a lot of skill, creativity, and attention to detail. In this article, we’ll explore some essential VFX tips that can help you take your visual effects to the next level.

    1.Plan Your Shots

    Before you even start working on your VFX, it’s essential to plan your shots. This means storyboarding your scene and figuring out exactly what you want to achieve. The more detailed your planning, the easier it will be to create convincing VFX. Consider elements like camera angles, lighting, and color grading, and how they will impact the final shot.

    2.Use Real-world References

    While it’s tempting to dive straight into creating VFX, using real-world references can make all the difference. For example, if you’re creating a monster, you could study animal anatomy to make it look more realistic. Or if you’re adding smoke to a scene, you could watch videos of real smoke to get an idea of how it behaves. The more you can ground your VFX in reality, the more convincing they will be.

    3.Pay Attention to Lighting

    Lighting is crucial in creating convincing VFX. If your lighting doesn’t match the rest of the scene, your VFX will look out of place. Make sure you consider the position and intensity of the light source in your scene, and how it will affect the VFX. It’s also essential to match the color temperature of your VFX with the rest of the scene. Using tools like color grading can help you achieve this.

    4.Add Details

    One of the keys to creating convincing VFX is attention to detail. Whether it’s adding small cracks to a wall or dust particles in the air, details can make all the difference. The more you can add to a scene, the more realistic it will feel. Be careful not to overdo it, though, as too many details can make a scene look cluttered and overwhelming.

    5.Use the Right Tools

    There are many different tools and software available for creating VFX. Each one has its strengths and weaknesses, so it’s essential to choose the right tool for the job. For example, if you’re creating complex particle effects, you might want to use software like Houdini. If you’re working on a smaller project, After Effects might be a better option. It’s also essential to keep up to date with the latest software updates and plugins, as these can often make your workflow more efficient.

    6.Collaboration is Key

    Creating convincing VFX is rarely a one-person job. It often involves collaboration between multiple artists, from concept artists to animators to compositors. Make sure you communicate with your team effectively and establish a clear workflow. This will help ensure that everyone is working towards the same goal and that your VFX are consistent across the project.

    In conclusion, creating convincing VFX requires a combination of technical skill, creativity, and attention to detail. By following these tips, you can take your visual effects to the next level and create stunning, believable scenes that transport your audience to another world. Remember to plan your shots, use real-world references, pay attention to lighting, add details, use the right tools, and collaborate effectively, and you’ll be well on your way to creating amazing VFX.

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  • Exploring the World of Virtual Production: How Technology is Changing Filmmaking (Explained Simply)

    Exploring the World of Virtual Production: How Technology is Changing Filmmaking (Explained Simply)

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    If you’re not an avid follower of behind-the-scenes film production, and you’re not up to speed on your game design lingo, there’s a chance you’ve never heard of virtual production. But even so, you’ve almost certainly seen it in action — and you’re sure to see a lot more of it. Because this groundbreaking new technology is making the leap from video gaming to mainstream film-making, and it could soon be everywhere you look. But what is it, and how is it changing what you’re watching?


    What is it?

    Virtual production, or virtual cinematography, combines traditional film-making — real sets, actors and lighting — with digitally created backdrops. A solution that arose from the demands of the pandemic era, virtual production became an essential tool for the socially distanced workplace, where designers could work from any location with minimal delay. Not only was this a safer way of working, but a quicker and more cost-effective one too. And with the greater creative potential it brings — with settings no longer limited by physical constraints —  this technology is sure to make the world of film and television even more spectacular.  


    How does it work?

    Video games have the answer. With tools like Unreal Engine (developed for the 1998 first-person shooter Unreal), virtually designed landscapes are displayed on LED screens behind a physical set. Real cameras are synced with virtual ones, making the movement between reality and fantasy totally seamless.


    What does it all mean — and what are the benefits?

    The staggering results of virtual production have already hit our screens — both in the cinema and at home. From Denis Villeneuve’s Dune, to the live-action remake of The Lion King, to the Star Wars spin-off The Mandalorian, you can already see it in action. And as more studios get involved, and the competition for viewers’ attention heats up, it’s only going to get more spectacular. This is just the beginning of the virtual production era — and it’s an exciting time for audiences everywhere.

    And it’s not just viewers who are benefiting. Content makers from the big and small screens — from Hollywood to the advertising industry — can save time, money and resources by committing to virtual production’s quick, remote workflows. The benefits are clear, and they’re for everyone. So why not be a part of it?
     

    How we can help.

    Special environments, created just for you — whatever your project is. Static backgrounds or moving, whatever you need, we’ve got the solution. So if you’ve got questions, or a project you’d like us to work on — get in touch!

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    With just three months to go, we’re all systems go here at POD when it comes to getting our clients ready for that important time of year.
    Whether you already use B2B post-production as part of your day-to-day marketing activities or are beginning to think about formalising your process, read on to find out why it matters and how we can help you take your content production to the next level.

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  • How POD helps agencies scale

    How POD helps agencies scale

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    The demand for quality, rapid content production has never been higher. However, neither has the cost of freelancers. Many agencies don’t have the budget to hire all the post-production skills they’d like in-house—and even if they do, they may not have enough work to justify hiring multiple specialists in full-time roles. Sourcing freelancers takes time and effort, and quality can vary.

    With the cost of living crisis, budget cuts, and pressure from cost controllers, many agencies may be forced to look for content production alternatives.


    How POD can help

    This is where our unique post-production model comes in. We can provide all the skills you need to produce a vast range of content—anything from in-house design to animation and CGI. We can support with deck design, pitches, key visuals, storyboarding, and lots more.

    We can work on huge full-scale jobs like animating the world’s tallest building or smaller tasks or sections of a project like producing social content, cleaning up a shot, removing logos, or versioning.

    You might need one of our talented artists or a whole office full! Whatever the brief, we have the expertise your agency needs to scale.


    When POD can help

    If your agency is facing cuts, we can offer in-house design and full post-production services to ensure your work still gets delivered on time. We can pick up the workload when the work is there. You don’t need to worry about downtime or maximising capacity.

    We can also offer our services if your client isn’t on a retainer and you’re concerned about cash flow issues when delivering a team.

    And finally, if your agency is growing extremely quickly, we can help pick up the slack wherever you need it most. We can be your partner to help whenever, wherever you need. And importantly, there’s no commitment and no pressure.

    If you need a temporary solution, we can work on an ad hoc basis without you getting stuck in long contracts. If you’re looking for longer-term support, we can discuss retainers or custom rates. We can tailor our services to meet your requirements.

    Examples

    • Social Chain: We supported the social media company, Social Chain, while they were going through a rapid growth phase. We sat in on their weekly resourcing meetings and even lent them one of our PMs to work from their offices for several weeks.
    • Blacklist Creative: We are helping the multi-award-winning creative agency and production studio fight against increased freelance costs and fluctuating workloads. We are also supporting them with pitches.
    • AMV BBDO: We help the advertising agency, AMV BBDO, with additional capacity. This includes large projects like global versioning that requires a vast number of assets being created in a short period of time, such as with recent Meta campaigns.
    Why POD?
    • Skills: We offer a much wider skill set than many freelancers can and we adapt our services based on the brief.
    • Local: We have the local market knowledge, presence, and language skills that makes all the difference.
    • Value: Agencies often have high overheads. We are good value (£250 per day and £350 per day at weekends). There is also no IT cost for software or licences and no issue with IR35.
    • Availability: As well as being able to scale up or down fast, we are available on weekends and bank holidays. This can really help if you’re up against a tight deadline.
    • No commitment needed: Looking for post-production support for a few hours or on a long-term basis? However you need us, we can help!

    Like the sound of working with us? Get in touch and we can discuss how we can help your agency to scale.

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  • Hublot: Illuminating the world’s tallest building

    Hublot: Illuminating the world’s tallest building

    Home > Archive by category “News”

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    Never daunted by a big challenge, find out how we helped Hublot light up the Burj Khalifa with an  iconic FIFA World Cup ad campaign.

    Brief

    The luxury watch brand, Hublot, asked us to produce a three-minute animation to take
    over the world’s tallest building, the Burj Khalifa.
    The animation would need to be eye-catching and push the boundaries of what’s come
    before.
    For a new product launch dedicated to the FIFA World Cup, the film would need to focus
    on beautiful product details as well as be contextually relevant to the upcoming
    tournament.


    Challenge

    The animation had to be suitable for different contexts. It would need to play against the imposing structure of the 830-metre-tall building in Dubai, United Arab Emirates, as well as within more regular 16/9 screen formats.
    We also needed to adapt the video so it would suit other mass viewing locations, including The Boulevard Riyadh City in Riyadh, Saudi Arabia.

    Solution

    We produced a beautiful ad celebrating the Hublot product launch and the FIFA World Cup in Doha.
    The colourful animation comprises stand-out effects, including lighting and particle animations and superimposed text and bespoke visual effects. The design also uses Hublot footage, which we elevated with graphics and visual effects to make transitions seamless. The FIFA World Cup is referenced throughout, placing the brand in the moment. Designed to catch people’s attention, the larger-than-life animation is impossible to miss!
    The bespoke graphics are designed to effortlessly work with the distinct shape of the building and the surrounding screens in Dubai Mall, in sync with the Burj Khalifa.
    We adapted the bespoke animation to suit different screens played across the Middle East. Elements were also turned into engaging social content. For Doha, we created a 30-second edit, for Riyadh, we created a one-minute version. We also added the Kingdom of Saudi Arabia (KSA) flag as the projection took place during the KSA match.
    The film’s unique visuals also matched the bespoke music and sound design, including cheering crowds, whistles, and the sound of the commentator celebrating a goal!

    Testimonial


    “A challenging and exhilarating project that wouldn’t have been possible in the allocated time
    frame without the tight collaboration between the client, agency, and post house—and mostly the full dedication of the team.”
    Elie, Eye to Eye

    Stats

    KSA: 82 connected screens spread across 951m2
    Doha: Screen height 130 m, 360 degrees, surface 11,345m2
    Burj Khalifa: Screen height 770 m, surface 33,000 m2
    Played on the Burj Khalifa at 8.50 pm on Sunday, November 20th as part of the opening
    celebrations to mark the FIFA World Cup.

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    Want the Full Picture? Discover how we helped our client Wayfair USA to elevate their experience with our tailored post-production solutions.
    Never daunted by a big challenge, find out how we helped Hublot light up the Burj Khalifa with an iconic FIFA World Cup ad campaign.

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